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"A Few Howls Again?" 2009-2010 Commissioned by Taipei Bienniel, 2010; Curated by Lin Hong-John and Tirdad Zolghadr September 7 - November 14, 2010 A Few Howls Again? "resurrects" the brilliant and notorious German journalist and political militant, Ulrike Meinhof (1934-1976) in a stop-motion photo "animation" video loop with titles, as well as installed photos. The project raises questions about contemporary state violence and political resistance. At left are installation views of the work at the Taipei Bienniel. See this link for an excerpt of the video under project listing. (link) |
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"After Hiroshima Mon Amour" and "A Movie Will Be Shown Without the Sound" May 8, 2009-June 14, 2009
The projection on opposite walls of a colored rectangular space of "After Hiroshima Mon Amour" (2008) and "A Movie Will Be Shown Without the Sound" (2006) allows the spectator to choose a position from which to take in either the Resnais/Duras film "Hiroshima mon amour" (1959), played without sound or titles, or "After Hiroshima Mon Amour." Enclosed in the same visual and aural space, the video and the film have the possibility of transforming each other. |
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"Nothing and Everything" One-person exhibition at Leonard and Bina Ellen Gallery
Curator's statement:
A catalogue of the same title, with a discussion between Theriault and Kolbowski can be ordered from http://ellengallery.concordia.ca/2006/en/publications.php |
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"After Hiroshima Mon Amour" One-person exhibition at La><art, Los Angeles
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"Manifesto Marathon" Manifesto Marathon, Curated by Hans Ulrich Obrist "Younger and Stronger Men" F.T. Marinetti's "Futurist Manifesto" scrambled and turned into a dialogue. A performance including 60 images of mass audiences from around the world, and two actors each reading parts of Marinetti's scrambled manifesto as a pseudo political debate dialogue. |
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"an inadequate history of conceptual art" Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland 3/9/07 - 4/22/07 Curated by Pawel Polit Photos 3-11 by Mariusz Michalski (This 1998/1999 project was reinstalled, with the addition of a Polish audio translation, and a new projection component. Due to the fact that a loan of audio equipment from Bang + Olufsen, required for the original specifications, was not able to be procured, this component was substituted with high-end Polish audio equipment from the 1970s.) Selected Bibliography an inadequate history of conceptual art (Center for Contemporary Art, Ujazdowski Castle, Warsaw), 2007. (Includes an interview by Luiza Nader.) (See Publications) Review, Obeig.pl (April 2007) In Polish |
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