CURRENT/UPCOMING

Screening: A few howls again? and Bambule (script by Ulrike Meinhof)

Panel discussion: Silvia Kolbowski, Carlos Motta, Judith Rodenbeck;
organized and moderated by Pati Hertling.
January 15, 2012
18:00
Bulletin Board
208 Bowery, 2nd floor

Lecture: an inadequate archive of conceptual art

February 7, 2012
17:30
Ecole supérieure des beaux-arts, Tours Angers Le Mans
Angers

Lecture: The research that cannot speak its name.

Conference on aesthetic research in practice and pedagogy.
February 9-10, 2012
L'École nationale supérieure d'architecture de Paris-Belleville
60, bd. De la Villette, Paris

Lecture: Dead Subjects Speak

Tuesday, February 21, 2012
17:30 - 18:30
Friends Lecture Series
Art and Psychoanalysis: War in the Time of Peace
Kenneth Clark Lecture Theatre
Courtauld Institute, London
http://www.courtauld.ac.uk/researchforum/events/2012/spring/feb21_SpringFriends.shtml

A Few Howls Again? on public television, Argentina

An excerpt from A Few Howls Again? was broadcast on Visión Siete Internacional, an international news show on public television in Buenos Aires, Argentina. View clip here:
http://blogs.tvpublica.com.ar/internacional/2011/08/20/ulrike-meinhof-en-version-de-silvia-kolbowski/

Translation of news anchor's comments.

A Few Howls Again? on TV Publica

In Conversation

SILVIA KOLBOWSKI with Emily Apter
The Brooklyn Rail
http://www.brooklynrail.org/2011/10/art/silvia-kolbowski-with-emily-apter

"This Will Have Been: Art, Love & Politics in the 1980s"

Curated by Helen Molesworth.
Museum of Contemporary Art, Chicago, Winter 2012
(Traveling to the Walker Art Center, Minneapolis, and ICA, Boston)

Dear Silvia...July 2009 Podcast and Pamplet

Dear Silvia...July 2009 is now available as a free podcast at
http://fillip.ca/podcast/2010-01-11

Dear Silvia...July 2009 is also available in pamphlet form; published by Fillip Editions, as part of Fillip, Issue 11. This issue also includes a related text by Antonia Hirsch, "Indirect Speech."
Newstands: April 1 - July 1

For the limited edition LP (edition of 25; $250 each, benefitting Fillip), contact: http://fillip.ca/editions/dear-silvia-july-2009



"A Few Howls Again?"

2009-2010

Commissioned by Taipei Bienniel, 2010; Curated by Lin Hong-John and Tirdad Zolghadr

September 7 - November 14, 2010

A Few Howls Again? "resurrects" the brilliant and notorious German journalist and political militant, Ulrike Meinhof (1934-1976) in a stop-motion photo "animation" video loop with titles, as well as installed photos. The project raises questions about contemporary state violence and political resistance.

At left are installation views of the work at the Taipei Bienniel.

See this link for an excerpt of the video under project listing. (link)




"After Hiroshima Mon Amour" and "A Movie Will Be Shown Without the Sound"

May 8, 2009-June 14, 2009
Moderna Galerija, Ljubljana, Slovenia

The projection on opposite walls of a colored rectangular space of "After Hiroshima Mon Amour" (2008) and "A Movie Will Be Shown Without the Sound" (2006) allows the spectator to choose a position from which to take in either the Resnais/Duras film "Hiroshima mon amour" (1959), played without sound or titles, or "After Hiroshima Mon Amour." Enclosed in the same visual and aural space, the video and the film have the possibility of transforming each other.




"Nothing and Everything"

One-person exhibition at Leonard and Bina Ellen Gallery
Concordia University, Montreal
January 30 - March 7, 2009
http://ellengallery.concordia.ca/2006/index.php
Curated by Michele Theriault

Curator's statement:
This exhibition presents two major works, produced ten years apart, which consider very different contemporary issues. On the one hand, "an inadequate history of conceptual art" (1998-1999) reflects upon the renewed interest in Conceptual Art, and on the other, "After Hiroshima Mon Amour" (2008), engages with American military interventions in Iraq, and the associated criminal neglect of post-hurricane New Orleans. These works offer subtle and provocative explorations of the meeting of unconscious forces with social, political, and historical structures as they are imbricated, not only with these events, but also with forms of art, cinema and writing that have radically transformed existing conventions.

A catalogue of the same title, with a discussion between Theriault and Kolbowski can be ordered from http://ellengallery.concordia.ca/2006/en/publications.php




"After Hiroshima Mon Amour"

One-person exhibition at La><art, Los Angeles
September 20 - November 1, 2008. (web link) (press release)
Curated by Christopher Bedford




"Manifesto Marathon"

Manifesto Marathon, Curated by Hans Ulrich Obrist
Serpentine Gallery, London
October 19, 2008 (web link)
All photos © Serpentine Gallery, London and
Mark Blower, photography

"Younger and Stronger Men"

F.T. Marinetti's "Futurist Manifesto" scrambled and turned into a dialogue. A performance including 60 images of mass audiences from around the world, and two actors each reading parts of Marinetti's scrambled manifesto as a pseudo political debate dialogue.




"an inadequate history of conceptual art"
Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland
3/9/07 - 4/22/07
Curated by Pawel Polit
Photos 3-11 by Mariusz Michalski

(This 1998/1999 project was reinstalled, with the addition of a Polish audio translation, and a new projection component. Due to the fact that a loan of audio equipment from Bang + Olufsen, required for the original specifications, was not able to be procured, this component was substituted with high-end Polish audio equipment from the 1970s.)

Selected Bibliography
an inadequate history of conceptual art (Center for Contemporary Art, Ujazdowski Castle, Warsaw), 2007. (Includes an interview by Luiza Nader.) (See Publications)
Review, Obeig.pl (April 2007) In Polish



© 2012 Silvia Kolbowski

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