UPCOMING EVENTS

February, 2010 - May, 2010
an inadequate history of conceptual art in Double Bind

Villa Arson
Nice, France

Friday, October 23, 2009, 5pm
Lecture and Screening of After Hiroshima Mon Amour

San Francisco Art Institute
Lecture Hall, Chestnut Campus

Thursday October 8, 2009, 7pm, Free
The third in a series of bi-monthly reading events co-hosted by Maria Fusco and Antonia Hirsch, artist and Associate Editor of Fillip, a Vancouver-based art magazine. This event launches a new project on Indirect Speech compiled by New York artist Silvia Kolbowski, commissioned specifically for this series.
Supported by: Stanley Picker Trust.

Whitechapel Gallery
77-82 Whitechapel High Street
London E1 7QX
T +44 (0)20 7522 7888
F +44 (0)20 7377 7887

October, 2009 - December, 2009
After Hiroshima Mon Amour will be programmed with other videos/films and presentations on four nights.

After Hiroshima Mon Amour & Nuit et Brouillard (Night and Fog), Alain Resnais, Fr 1955, 32mins
Thursday 22 October, 7pm (Purchase Tickets)

After Hiroshima Mon Amour & Marguerite Duras/Alain Resnais (0.65, 0.85, 1.0 FPS), David Dempewolf, US 2007, 19mins & Let Me Count the Ways: Minus 10 - Minus 6, Leslie Thornton, US 2004, 20mins
Thursday 5 November, 7pm (Purchase Tickets)

After Hiroshima Mon Amour & Silvia Kolbowski in conversation
Thursday 19 November, 7pm (Purchase Tickets)

After Hiroshima Mon Amour & Live readings & fi hazal bayt (In This House), Akram Zaatari, Lebanon 2005, 30mins
Thursday 10 December, 7pm (Purchase Tickets)

Tickets:
£6/£4concs/£3membs

October 2, 2009 - January 17, 2010
An excerpt of "After Atlas" (2009) will be included in The Third International Center of Photography Triennial of Photography and Video
ICP
1133 Avenue of the Americas
at 43rd Street
http://www.icp.org

September 11 - September 30, 2009
Screenings of "After Hiroshima Mon Amour" included in
Our Time : Video Screening Project

Centro Hospitalar Psiquiátrico
Lisbon, Portugal
Avenida Brasil 53
+351 217 917 000
+351 217 978 596


RECENT EVENTS/EXHIBITIONS


"After Hiroshima Mon Amour" and "A Movie Will Be Shown Without the Sound"

May 8, 2009-June 14, 2009
Moderna Galerija, Ljubljana, Slovenia

The projection on opposite walls of a colored rectangular space of "After Hiroshima Mon Amour" (2008) and "A Movie Will Be Shown Without the Sound" (2006) allows the spectator to choose a position from which to take in either the Resnais/Duras film "Hiroshima mon amour" (1959), played without sound or titles, or "After Hiroshima Mon Amour." Enclosed in the same visual and aural space, the video and the film have the possibility of transforming each other.




"Nothing and Everything"

One-person exhibition at Leonard and Bina Ellen Gallery
Concordia University, Montreal
January 30 - March 7, 2009
http://ellengallery.concordia.ca/2006/index.php
Curated by Michele Theriault

Curator's statement:
This exhibition presents two major works, produced ten years apart, which consider very different contemporary issues. On the one hand, "an inadequate history of conceptual art" (1998-1999) reflects upon the renewed interest in Conceptual Art, and on the other, "After Hiroshima Mon Amour" (2008), engages with American military interventions in Iraq, and the associated criminal neglect of post-hurricane New Orleans. These works offer subtle and provocative explorations of the meeting of unconscious forces with social, political, and historical structures as they are imbricated, not only with these events, but also with forms of art, cinema and writing that have radically transformed existing conventions.

A catalogue of the same title, with a discussion between Theriault and Kolbowski can be ordered from http://ellengallery.concordia.ca/2006/en/publications.php




"After Hiroshima Mon Amour"

One-person exhibition at La><art, Los Angeles
September 20 - November 1, 2008. (web link) (press release)
Curated by Christopher Bedford




"Manifesto Marathon"

Manifesto Marathon, Curated by Hans Ulrich Obrist
Serpentine Gallery, London
October 19, 2008 (web link)
All photos © Serpentine Gallery, London and
Mark Blower, photography

"Younger and Stronger Men"

F.T. Marinetti's "Futurist Manifesto" scrambled and turned into a dialogue. A performance including 60 images of mass audiences from around the world, and two actors each reading parts of Marinetti's scrambled manifesto as a pseudo political debate dialogue.




"an inadequate history of conceptual art"
Center for Contemporary Art Ujazdowski Castle, Warsaw, Poland
3/9/07 - 4/22/07
Curated by Pawel Polit
Photos 3-11 by Mariusz Michalski

(This 1998/1999 project was reinstalled, with the addition of a Polish audio translation, and a new projection component. Due to the fact that a loan of audio equipment from Bang + Olufsen, required for the original specifications, was not able to be procured, this component was substituted with high-end Polish audio equipment from the 1970s.)

Selected Bibliography
an inadequate history of conceptual art (Center for Contemporary Art, Ujazdowski Castle, Warsaw), 2007. (Includes an interview by Luiza Nader.) (See Publications)
Review, Obeig.pl (April 2007) In Polish



© 2010 Silvia Kolbowski

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