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Already
1992 This project, after Marcel Duchamp's Etant Donné, (1946-1966), was conceived as a commentary on the return of the literalized body (realist sculpture, etc.) to art in the early 1990s. In Already, Duchamp's non-literal female figure is transformed into a maid serving the spectator, who has to peer through a peephole to see her, a museum bench, and a glass of wine on the gallery mantle. (Plywood barrier, peephole, mannequin, bench, wineglass, mantle)
Selected Bibliography
"Gender Studies: Feminismus und Kunst," by Sabeth Buchmann, Zitty (Jan.21-Feb.3) "Once more, with feeling...Already," October 65 "Silvia Kolbowski," in "Goings on About Town," The New Yorker, Oct. 12 |
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